The Long Goodbye

November 18th, 2011 by Emily Grosvenor

Well, I’ll just come out and say it. We’re moving to McMinnville. My husband has a new job opportunity there and he has given me full permission to blame him for the move. And since I am not the kind of poser who can write a column about seeking out the glorious things about Salem while living 28 miles away, December’s column will be my last for the Statesman-Journal. I will be shuttering this blog and moving on to something, and somewhere, else.

I would like to thank the many wonderful people here in Salem who have embraced me and my family and who have supported us as we tried to clear out a little pocket of earth for ourselves so many miles from our families.

For my readers: Thank you for the emails, the letters, the Twitter shout-outs, the Facebook posts, the personal messages, and especially, for the mini-essays about your own adventures in Salem. It has meant the world to me to know that you have connected with what I have been writing about here.

On a side note, has anyone noticed that the blog has become the last place you post any big news? I have started managing my social networks in ways that make sense to me, but with an announcement of this kind of magnitude there seems to be no rules of thumb. So I went for Facebook first, since that’s where my closest friends congregate, then, ribbed by @perronbrothers, I did the one-liner on Twitter.

Instead of the letterpress card with the “We’ve Moved!” announcement I’m stuck with the Facebook status update with the resoundingly melancholy him and haw: Um… sorry guys… we’re moving and yes, we’re buying our first home, and yes, I’m excited, but I’m still so sad!

There’s no card for happy sad tidings, I’m afraid.

Special deliverer

November 5th, 2011 by Emily Grosvenor

Neither snow nor rain nor gloom of night could stay me from writing about my awesome postman, Paul Lunde.

If you’ve been in Salem in a while, you probably have met Paul in any number of settings. At a Matthew Price band concert, walking the streets of NoMaSoFa (North of Market South of Fairgrounds). He more than kind of stands out, in a good way.

This column reeks of “My Postman is better than your postman” one-uppmanship. I’m a contender by nature, what can I say. But I think it might be my favorite column yet, since it is evocative of place while championing a local hero.

I’ve been thinking a lot lately about place, specifically, about this place. Not so much what it has to offer, but about the people I’ve met here who I interact with every day. I used to think getting used to a place was about seeing the same house of horrors front yard pop up every season. But increasingly, I’m thinking it is more about seeing the same downtrodden, sunburned guy on the side of the road at 17th and market.Okay, that sounds like a pretty bad morning. It’s also about running into the same folks over and over again as you go about your life.  When I came here, I obsessed quite a bit about what Salem does have or doesn’t have. Who cares? Salem has some really great people.

The more you interact with people in your community, the more you care about lifting them up in return. I think one of my goals for this next year is going to be to make economic decisions that lift up my neighbors, as much as I can. I’m starting with some hand-delivered mail.

Salemia to premier! Q & A with Mike and Dave

October 19th, 2011 by Emily Grosvenor

As part of the Salem Film Festival happening all this week, “Salemia,” Salem’s own satirical web series will have its premiere tonight at the Grand Theater at 7:45 p.m. The place can hold about 400 seats, and I hear the tickets are selling briskly. I’ll be heading there with my awesome neighbors, John and Susan.

Since I know you’re wanting to prepare for the viewing, I’ve interviewed screenwriter Dave Jenkins and filmmaker Mike Perron about the project. I’m posting the first part of the interview right now and will add more extended video soon.

Really, I love these guys. I’m guessing this is going to be one of the big events of the year and you should really come see it. I’ve watched a few of the scenes and am really excited about how affectionate the series is going to be about Salem. Hope to see you there!

Talking Shop: #SalemChat coming Friday

October 4th, 2011 by Emily Grosvenor

We in the online world shoot off Twitter posts and pass along information as if we were all sitting on bars tools in a really big saloon.

To me, it sometimes feels like the Wild Wild West — no rules, just everybody operating on their own moral compass.

And… wah wah wah!… there are people following us. Some of them have made it their job.

Maybe we’ve become sources for stories, maybe, like @robmcquire, we’ve become the stories themselves. For many, social media have created the first opportunities we’ve had to interact with professional media.

How has this changed our relationship with local media? Are they working better for us? Are they working better with us?

What exactly are our local journalists’ rights and responsibilities when using social media, especially Twitter and Facebook?

I’ll be holding a talk on  this very subject on Twitter this Friday, October 7, on behalf of the Statesman-Journal, from 12:00 p.m. to 4:00 p.m. Follow me on Twitter @emilygrosvenor to join in on the conversation, and be part of the conversation by using the hashtag #SalemChat.

Join me. Follow me. Chat at me. Shoot’em up!

KMUZ DJ Training in On

October 3rd, 2011 by Emily Grosvenor

This is what happens whenever I go to Mission Mill Museum. I head in there ready to take in an exhibit — in this case, the Quiltopia events last weekend — and then I spend a large portion of my day talking to @maxmarbles, bookbinder, and one of my favorite people in Salem.

Yesterday, Max gave my friend Rachel and I a behind-the-scenes tour of KMUZ’s new radio station at Mission Mill Museum from @maxmarbles yesterday.

If you’ve ever worked with audio, I can tell you that just seeing the equipment get my creative impulses racing.

This is so exciting you guys!

If you’re interested in being  a DJ for the station, you should attend one of three DJ training sessions being offered this week.

This in from the station…

“KMUZ is not about stars, personalities and the common flotsam of commercial radio. We are about and for community.  Keep this mission in mind and strive to set a high standard for the content of your programming, and we’ll be there for you as you develop your confidence and abilities as a community radio DJ.”
SO WHAT’S THIS TRAINING ABOUT:

Station Orientation

Orientation will familiarize you with the KMUZ mission, organization, operations and general Station policies. You will also learn about the many opportunities to get involved with the Station . After completing orientation, you should be comfortable enough to identify with KMUZ and to have an understanding of what’s going on when you walk through the front door.

Station Policies, Practices and Protocol

Training in your role and responsibilities as a KMUZ on-air volunteer will give you the details and understanding of Station on-air policies, DJ responsibilities and FCC regulations with which we must comply in order to hold our FM license. You will learn what it takes to protect KMUZ’s license by avoiding program material that could result in penalties being imposed by the FCC. You will also learn about Station policies regarding on-air conduct as it applies to KMUZ personnel, guests and political candidates.
On-Air Techniques

Your introduction to operating the studio console and equipment in both the on-air room and the audio editing production area will allow you to broadcast, take telephone calls as part of your show, record programming, operate the CD players and turntables, and operate the Station player/automation software. Following the completion of on-air techniques training, you will be required to log additional hands-on practice hours on your own to gain general proficiency with the studio equipment and on-air delivery. Once you feel comfortable using the studio equipment, you will be asked to demonstrate a minimum level of proficiency and prepare a recorded segment of a show for review. If this recording indicates proficiency with equipment operation and on-air delivery, you will be scheduled to work with a KMUZ DJ trainer to produce a show. If all goes well, you will then be approved to do show fills and subbing. If you have submitted a show proposal to Programming and have submitted a show demo recording, Programming will consider your show proposal for approval.
Big Picture
KMUZ is a mixed format, community radio station welcoming anyone who is interested in furthering our mission. We strive to be an integral part of our community and a resource to the non-profit, arts and cultural scene in the Willamette Valley. Our broadcasts will offer diverse and alternative programming primarily produced locally and reflecting the values of our listening community. We invite you to be a part of this great experience and join ranks with your neighbors at KMUZ.
WHEN DOES IT BEGIN?

Save Yourself a Space
All training slots are offered on a first come first serve basis, so do it now. max@kmuz.org
1) Oct. 4th, Tuesday night 6:30 – 9:00 pm
2) Oct. 5th, Wednesday night 6:30 – 9:00 pm
3) Oct. 6th, Thursday night 6:30 – 9:00 pm
Training will be held at our studios at Mission Mill, 1313 Mill St. SE, Salem, Oregon 97301
If you have any questions regarding the training or schedule call Max between 10:00 am  - 4:00 pm at (503) 378-7166 .

Rainbows not rain at Quiltopia!

September 30th, 2011 by Emily Grosvenor

There has got to be a reason quilting is so big in Salem. I’m going to say it is the need to create rainbows in the rain. Why else would there be this outpouring of creative spirit in pieced fabric?

It might also have something to do with Greenbaum’s Quilted Forest, pretty much the Shangi-La for fabric hounds. Since the class I took there a few months ago I’ve been taken away with obsession and have returned frequently to check out the new fabrics, touch the old ones and dream about my next quilting project.

If you’d like to class at Greenbaum’s, I’d highly recommend any of the beginner’s classes offered by Janae King, my fabric whisperer. Janae has a great blog out there where she writes about her quilting projects. She’s one of the nicest people I’ve met here in town.

Quilting has been really awesome for me. It’s been a great distraction from less productive pursuits (we ran out of Mad Men DVDs a couple of months back) and has put me in connection with some of the great people of my past.

When I started quilting, I was worried I might not be suited to it. Indeed, my class was filled with women, many of whom were the type A  perfectionists who are probably a lot better at cutting perfect pieces and fitting them perfectly in a pattern.

I have to sew a straight line? Aghhh!

Who can handle that level of perfect?

Not me. Other than with words, I am a big picture girl and get a little sloppy with the small details, but I’ve discovered there are a lot of great quilting techniques that don’t require you to be that meticulous. Take this quilt square above which I am making for a favorite little girl in my life, Charlotte. Charlotte loves pink, so I’m making her a wonky block quilted that looks like stacked books.

I got the from my new quilting book Block Party!

Uneven blocks, wonky strips, modern fabrics — I’m hooked!

If you’re curious about the level of madness this activity can inspire, be sure to check out Quiltopia! This weekend, a few days filled with quilt events all over town at the Bush Barn Art Center, Greenbaum’s, Deepwood Estate, Mission Mill, and in quilted cottages all over Salem.

Grape Expectations at WVV

September 25th, 2011 by Emily Grosvenor

As I type this the last few flushes of grape stompers are trying their toes at the annual Willamette Valley Vineyards Grape Stomp down in Turner, OR.

The grape stomp is one of those Oregon activities you have to do once in your lifetime. I’ve had it on my list for quite a while, but until now I’ve always been too tired, too pregnant, or too not-in-town to participate.

This year was different. I had some grape plans to bone up on my stomping skills in preparation for this year’s event. You see, we have some liabilities as stompers to begin with. For one, I wear a size 6.5 shoe. Without webbed feet, or larger feet, I’d surely be at a disadvantage.

I’d like to say that I was listening to the theme song from Rocky to prepare, pretending to run the steps of the Philadephia Museum of Art to get my legs pumping in just the right foot-to-grape ratio. But we pretty much rolled up the hill at the last possible moment for our 11:00 flush. There were about a dozen other teams already in their barrels and one lonely barrel left in the middle of the row. I jumped in and Adam squatted down near the pipe to swab the opening and catch this juice.

This would be our big mistake — choosing this particular barrel.

I thought maybe I’d be caught up in the thrill of it, that the stompers aside me would throw my competitive bent into overdrive. But really, it was strangely meditative. I had my hands on my husband’s shoulders for support and we were working together like a machine. The grapes were soft and juice and popped easily under pressure. Within a few minutes I had stomped through them and all that was left was pulpy grape skin.

Adam noticed a tad late that the swabber has another job.

“Hey, that guy has his hands in the barrel!” he said.

Sure enough, the swabber’s role, it seems, is also to press the grapes out and usher the juice to the hole, not just catch the juice, as we had been told.

Yes, we lost, by a very large number. But at least we got to see a couple people get disqualified for not pulling their jugs awaywhen the ending whistle blew. Eat it suckers!

So, for your next grape stomp, may I propose some Strategic Tactics that do not Involve Listening to “Stomp!”

1. Arrive early and choose your barrel stratically
2. Have the person with larger feet do the stomping
3. Keep as much pulp as possible from going through your hole (the pulp gets funneled out before the juice gets weighed)
4. Don’t get yourself disqualified by doing something as stupid as not following directions
5. Don’t follow directions and have your swabber press out the juice and move it towards the hole
6. Have fun!

We certainly managed #6.


My friend Chris says this image of our neighbor’s leftover grapes looks like the world (our barrel barely had anything left in it; no joke).

Adam getting our juice weighed after the stomp. We already knew we had lost, but not going through procedure would just be sour grapes.

My feet after the stomp. It wasn’t as messy as I had anticipated. Also, wine glass for tasting wines afterwards comes with the $10 entry fee. May I suggest the Willamette Valley Vineyards Elton Estate for your next big event?


Besides all of the great times, I got this wonderful graphic from my friend Ryan Rogers, who told me that pic of me in the barrel makes me look like some kind of Award Ceremony statuette. He promptly put together a golden statuette Emily graphic. Yes, my week is made. Now, to figure out what kind of achievement the “Emily” would honor… it’s certainly not for grape stomping!

Local writer Scott Nadelson’s new book Aftermath

September 14th, 2011 by Emily Grosvenor

One crappy thing about being a writer is having a ton of writer friends producing work that you may like or detest. I sometimes find you can like the person, hate the work.

This was a common occurrence when I was living in Iowa City and every bar stool had the cheek indentations of some undiscovered genius.

But something strange has happened since I moved here. I seem to only know writers whose work I actually, really, really love.*

Take Scott Nadelson,  a creative writing professor at Willamette.  He’s got a new collection out this month from Hawthorne Books called Aftermath: Stories.

I got an early copy of it and reviewed it this fall for Eugene Magazine (site down, so no link) and enjoyed it so much I had to write him a fan letter between sentences.

Here’s an excerpt:

“Nadelson is interested in the grey area between major life events, the fumbling and wrong turns, the ambiguities of heart and purpose that have become the hallmarks of young adulthood. His stories strike just the right balance between funny and sad, between the high shtick of aging Jewish parents and the raw emotion of young people experiencing their first major personal disasters.”

I have to say that Nadelson’s milieu, suburban Jews from New Jersey, isn’t exactly something that would get me turning pages in most cases. But that, my dears, is why you should always pick your books by author first, not by content.

Great writing, heart tugged.

Nadelson is reading at Willamette’s Hatfield Library today at 4:30. Lucky us.

*Makes no claims about being loved back…

Cider Houses Rule

September 2nd, 2011 by Emily Grosvenor

Here’s a preview of the new tasting room at the cider house Wandering Aengus is opening early next month as well as some pics of sexy cider apples. Would that I could be a cider apple pressed and fermented with some of my friends.

Kevin Zielinski walks his orchard at E.Z. Orchards. He’s growing a number of heirloom cider apple varieties, including Muscadet de Dieppe, Domaine, St. Martin, Champagne Reinette, Douce Moen, Marie Menard, Muscadet de Lense, Muscadet de Bernay, Marin Oufroy, Roxbury Russet and Yarlington Mill.

The cider making book I was reading was written by Annie Proulx of all people. I couldn’t quit it.

I love these cider apples, blushing and soft on the outside, bitter and caustic to the tongue!

Making sense of the Minto Island Growers CSA

August 25th, 2011 by Emily Grosvenor


I had this great idea for a blog post when I signed up for the Minto Island Growers CSA last winter. I was going to take a picture of my bin of produce every week to capture a visual representation of the bounty of the seasons. Look, I would write, how the broccoli trickles in, how the fava beans gather for a party in July, how the tomatoes show up later and take all the glory.  It was going to be great!

And then summer finally came and I abandoned this project and threw myself into some new ones instead, namely, trying to find a way to process all of the vegetables that come in with my CSA.

If you haven’t belonged to a CSA, it works like this: You send in what feels like an exorbitant amount of money (in this case, $500), to the lovely people of a farm in your area (here, Elizabeth Miller and Chris Jenkins), and then wait through a terrible, terrible spring for your boxes to arrive. Finally, at the beginning of June, you go pick up your first box.  I opened that first box to find lacinato kale, fresh tea, green garlic and black turtle black beans. A few hours later, Elizabeth sends an email relating news of the farm, information about what is in our box, and recipes based on the produce we received. It’s kind of like having someone tell you what you opened for Christmas a couple hours earlier. Now what do I do with all of this stuff?

I have always had serious doubts that CSAs were for me. I have a produce problem. Living in Europe for a few years, and growing up in a house where mom went to the grocery store every day, has made me into one of those people who can generally only have a few items in the fridge at a time. Otherwise, my refrigerator becomes a swamp of moldy green beans and mesclun sludge.  I’m very ashamed about it, actually. I know I’m not alone here — I often read reports that Americans throw their weight in food away every year — but it’s something I have to seriously work at to keep from happening.

So a CSA sounds kind of nightmarish, doesn’t it? Random produce arriving at the peak of its freshness, in season and ready to be seasoned? Unplanned? Never knowing what’s coming next other than a vague idea of what is coming in season? As with many new personal challenges, I vowed to do this one the correct way and NOT WASTE A SINGLE KOHLRABI.

Since that first self-recrimination we have seen a lot of great stuff come in through the CSA. We had a month of blueberries delivered fresh, bunches of radishes, delicate greens of all stripe, squash, tomatoes, blackberries, bok choi, broccoli, rhubarb, fava beans and greens, garlic, strawberries, cabbage, cauliflower, spinach, green beans, sweet onions, and more. We even got a couple of those kohlrabi I had worried about.

Has it been too much? No, I would say it hasn’t been enough! A strange transformation has happened in this house. Always having produce in the house means always eating produce. Surprise! If it is local and fresh, it is probably also delicious. We’re lookin’ pretty fine from all those vegetables. I’m pretty sure we’ve aged a year and a half in reverse from all the antioxidants.

There have been some surprises. It turns out, processing even these smaller amounts of produce unleashes in me new waves of nostalgia for my grandparents’ home, where someone was always out on the porch snapping beans. I have been thinking all the time about my grandfather, how he would just slice up a kohlrabi and eat it like an apple.

Yes, the kohlrabi again.

I’ve found ways to incorporate a lot of this produce by exploring new recipes. One of my favorites for the summer was Thomas Keller’s summer vegetable gratinee of eggplant, tomatoes, squash and zucchini. I can’t reprint it here, but it basically involves treating vegetables as if they were precious gems. Dude has killer technique.

But that kohlrabi, it pretty much slew me. When I got it, I ran my hand over its smooth surface and laid it down gently in a produce basket on my kitchen counter. Then I looked at every day, reminiscing about the past. And then I forgot about it. From time to time I would see it again, and get all weepy inside.

Friends, that kohlrabi is there even still. I just checked on it, and it has become something of a shrunken head of a kohlrabi.

My husband would be quick to remind me that this happened once before, when I was living in a student housing complex north of Munich, Germany. I bought some kohlrabi at a grocery store downtown and didn’t use it, not for lack of imagination, but out of a deep longing for home. Is that ridiculous? Beautifully so. When he discovered what I had done — or in this case, not done — he plucked that kohlrabi up and planted it down in the weeds near the building’s entrance. At least there we could visit it. The thing actually grew and was still growing when I left a few months later.

The CSA is still going strong, as you can see from the picture above. Even though the Willamette Valley had a tough spring, and the boxes’ contents are directly affected by the whims of the weather, I would definitely do this again. I’ll probably try not to make any grand statements to myself about using all of it next time around, though. I’ll just do my best and love all of the surprises and let myself weep at the kohlrabi on the counter.


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