Archive for the ‘Music to my ears’ Category

Salem's Thriller Re-enactment Stirs the Dead

Saturday, October 24th, 2009

Thriller1

Darkness falls across the land
The midnight hour is close at hand
Salem crawls in search of blood
To terrorize y’alls neighborhood.

The foulest stench is in the air
The funk of forty thousand years
And grizzly ghouls from every tomb
Are closing in to seal your doom.

And though you fight to stay alive
Your body starts to shiver
For no mere Salemite can resist
The evil of the thriller.

Ignore the obvious — that there was more life out there on the streets of Salem tonight than usual, and it was the life of the walking dead — and you have Salem’s contribution to the Thriller cultural behemoth.

The mass MJ meetup took place on Liberty and Chemeketa tonight at 5:30 prompt and lasted just about 11 minutes. I’m going to go ahead an nominate this one for best Salem family event of the year.

If you look closely, you might have even seen the spirit of MJ himself giving cred to the event.

LittleMJ

Traveling the Globe in Salem

Saturday, October 17th, 2009

ItalyI love a good self-mythologizer. Heck, if you read this blog, you might argue that I am one.

But when the impulse to craft one’s own story starts sounding like a none-too-stealthy marketing campaign — and a slightly ridiculous one at that –  I can’t help but call shenanigans.

Today I’m calling out Christo’s, Salem’s generally awesome, family-owned pizza restaurant, which opened at a new location on Broadway earlier this year.

Now, Christo’s pizza is arguably Salem’s best. The hand-thrown crust is crisp, the sauce rocks, and I’m pretty sure I saw a couple at a table next to us last night eating a pizza that could have been baked in a joint on the trash-strewn streets of Naples.

Also, the place employs a completely brilliant performer and voice coach who moonlights as a server there and who is inclined to break out into Verdi’s  “La Donna è mobile,” filling the place with song and shaking everyone out of their rainy-night duldrums. (Watch that video and then try not to think of Stella d’Oro bread sticks…).

But flip over the menu and you might find something curious. A map of sorts. A message indeed. A little graphic that shows an Italian boot placed smack over Salem’s newest revitalized neighborhood and calling that ‘hood “Salem’s Little Italy.”

Now, we’ve all wondered about the name of this new neighborhood before. And I’ve tipped my hat towards something more original than the “Broadway District,” or anything else that borrows mythologies from other cities.

But “Little Italy” poses an exceptional problem, not least because Christo’s isn’t really a neighborhood filled will Italian immigrants. Does one restaurant a diminutive country make?

If that’s acceptable, than may I also propose the following.

Salem’s Chinatown: The block occupied by Kwan’s.

Salem’s Russian Village: That store tucked into the Northeast Lancaster Drive strip mall that claims to be a European gift store but whose pickles and tea suggest an audience of Russian immigrants.

Salem’s Japantown: That cafeteria at Willamette where Japanese students from the Tokyo University hang out.

Salem’s Czech Village: the Kafkaesque corridors of the City Police station.

The French Quarter: The span of road between La Capitale and Napoleon’s. Alternately: The parking lot housing the French Press and Bakery L’Amour.

What others are there?

I have this idea that for a city to achieve greatness in character it has to create its own stories, not borrow them.

The Fairest of them All

Sunday, July 12th, 2009

OCF1

I remember the first time someone ever called my husband and me a name so loaded, so antiquated, so unspecific that we could only respond based on our own biases.

We were hanging out with our friends Crystal and Cary, who are these unbelievable Midwestern hippies — the only real hippie friends we met while living in Iowa City. I had baked a cherry crumble, which we were eating with vanilla ice cream on a Saturday afternoon as the crowds milled towards Hawkeye Stadium for another football game we were surely not going to follow.

Crystal says: “Hey man, you guys are totally our hippie friends.”

“What? You’re our hippie friends. We’re not hippies.”

“Sure you are. You make your own yogurt and grow plants and are always recycling and eating all that hippie crunchy stuff. You guys are totally hippies.”

“No way, man, you’re the hippie. You’ve got the linguistic habits to prove it, man.”

And so, a misunderstanding, a challenge of sorts. No one really knows what a hippie is anymore. That’s why when I wrote my recent column on finding things to do at Salem until 2:00 a.m. on a Tuesday night and called Venti’s downtown our “go-to place for crunchy hippie food,” I received a little bit of flak from some people downtown who see hippie as a pejorative.

To be fair, I’ve been working on a better way to describe the food at Venti’s to massage the egos of these lovely Venti’s fans. I haven’t come up with anything to explain people who seem to have cut and pasted the best from a number of ethnic cultures to form new and exciting arrangements of hummus and peanut sauce (you get a kick in the pants if the word “fusion” just popped in your head).

But the real issue is the word “hippie.”

Maybe because I grew up on the East Coast, maybe because I have seen so many incarnations of hippies as to warrant the term almost meaningless — and certainly not the catch-all some seem to think it is — I’ve always kind of loved hippies.

We certainly saw our share of their modern incarnations at the Oregon Country Fair yesterday… and since hippies like to make stuff, I’ve selected a few images to show my fairest of the fair — the most interesting things I saw happening there.

Unlike some photographers there, who seemed more drawn to the “nudes” on display, I can’t say I felt compelled to capture the chaotic free-for-all pulsing through the woods at the fair. When things got really jammin’ at around 4:00 p.m., I was almost ready to leave. I can revel with the best of them, but I prefer not to be brushed by a stray breast or an… ahem… half-dressed unicorn.

A one-man stand of on-demand, hand-stitched Sewing Machine Designs:

Sew
The artist asked for a phrase of five words or less, which he would then interpret right before your eyes. I was seconds away from asking for “gas stove catching fire on bathrobe,” which actually happened to me last January, but then he was being kind of snooty and unresponsive and we decided to move on. I could have used a patch for that bathrobe, though.

Can anyone tell me what these are?

Stilts
A puppet show about two bunny rabbits who go on a picnic:

Puppets
Strange, carnival-esque Francophile revelers at the beginning of the fair:

Revel
More puppets: You are seeing a pattern. These are made by Portland’s Alchemystical Workshop.

Alchemystical
Finally, things we ate at the fair:

1 potato and mushroom kanish
1 potato and garlic kanish
2 baklavas
1 cup of famous gumbo
2 ice cream sandwiches dipped in dark chocolate
1 homemade root beer float
1 avacado dreamboat stuffed with hummus, cheddar-jack and yogurt

Final verdict: Hippies like delicious food, making neat stuff that doesn’t always make sense, banging drums in circles, dancing like West Africans, whole grains, dressing up in fairy garb, forests, belly-dancing, natural childbirth, folk music, and puppets.

I won’t profess to being a hippie, but I still like them quite a bit, even –  as our pork dude at the Salem Saturday Market calls them — the “nudes.”

My neighborhood's cooler than yours.

Saturday, June 27th, 2009

Citymap

Just got a flyer from the Northeast Salem Community Association (if you don’t know what city neighborhood you live in, click here).

Good old No. 5, the NESCA,  is organizing a free summer concert series in the little parks tucked in the corners behind Old Salem’s (like Old Europe, only paved and with more stray cats) candy-colored cottages.

Here’s the breakdown:

Highland Park

2025 Broadway St. NE
6:30-8:30 pm.
July 7: Afincando
July 14: Scott Gallegos
July 22: Canyon Fever
July 28: Ellen Whyte

Northgate Park
3260 Northgate
6:30-8:30 pm.
July 19: Carrie Cunningham
July 26: Virtual Ground
August 2: EZ Eddy & The Jumpers
August 9: Coyote Creek

Hoover School Park
1250 Savage Road NE
5:30-7:30 pm.
August 22: Code Red
September 12: The Retrofits

If you don’t know any of the names, just click on the links and check them out. I for one was pretty astounded at what a little neighborhood association — even the coolest of them — can pull together.

Grand Duchy in Salem

Thursday, April 30th, 2009

grandduchy

Rule number one for going to the Space: Unless you’re Frank Black, do not wear black.

I know this is going to be hard for you. The prevailing fashion attitude in Salem is don’t wash, don’t bother, don’t care, and there’s nothing really wrong with that.

Until you’ve got a black light shining on your shoulders and you realize for the first time that it really does snow in Oregon — and that the snow sticks. I started wondering of Salem could get some stimulus money to buy some Head and Shoulders because there was an avalanche.

(Not that Salem has an out-of-the ordinary dandruff problem; that blacklight is just completely unforgiving).

Okay, now that that’s out of the way, I’ll just say it: If you didn’t get to the Grand Duchy show at the Space last night than you missed the face-rockingest, indie -hoppingest, most karmatastic show of spirit I’ve seen in this town.

black1

Imagine it: One hundred lucky folks crammed into a tiny little space because they grew up listening to Frank Black while he was part of the Pixies, because they can’t believe that they have a chance to see him in Salem for $5,  because this was Grand Duchy’s first show EVER, and it isn’t often that music history is made in Oregon’s state capital, because they are curious as to how time and marriage and kids have altered Black’s sound.

The answer? Not much. If you came to hear Black as you know him — and judging by the age differential in the group (I think I saw someone under 30 there, yeah, that guy’s 28. I think) many of us there did — then the show probably exceeded your expectations. He’s as Black Francis as he has ever been, and the addition of his new wife, Violet, who is kind of whiny in a contemplative, indie way, and kind of an angry space cadet on the stage, won’t distract you from a distinctly Frank Black project. In fact, they seem to work really naturally together, (no guitars thrown here).

violet

With his shades on all the time, Black doesn’t give much away about how he views the crowd, but he did tell a pretty great story about the time the producers of Spiderman 3 called Grand Duchy up and asked them to contribute a song to the film — within 12 hours. The result, which the band promptly belted out, was pretty commercial, big-budget movie-fare with a Blackish twist. I kind of love knowing it exists (it didn’t make it into the movie), and I actually liked it.

Oh, that movie sucked anyway.

It was a highly local crowd. Seriously, there was one guy from Portland who raised his hand and wooted when the opening band asked, surely thinking that his voiced would be drowned out by a sea of his city-men. Clearly, that wasn’t the case. I talked to him later and it became obvious that he got the hookup through local connections. But generally, I was left wondering, who are these people and where do they go the rest of the year?

In truth, this was one of the nicest crowds I’ve ever been a part of. The people all chatted with each other between sets, the big dudes moved  to the back, allowing the little girls room to see in the front, and if weren’t for that overweight woman dancin’ like nobody’s watching (or standing next to her, for that matter), I would have left there thinking that I had experienced a singularly perfect evening.

Then again, there was a moment when I was talking to my new friend Mikee when the lead singer of the opening band Le Nunes threw a CD out into the crowd and it hit me in the head (if you  want to catch the bridal bouquet, my advice is to try to ignore it!)

Well, thankfully, I’ve got a selective memory, and let me tell you, it was a perfect night.

Thanks to Nick Lopez for the photography, you can contact him at nicklopez1 [at] gmail.com.

Here’s the set list for the show:

1. come on over to my house
2. a strange day
3. lovesick
4. break the angels
5. seeing stars
6. ermesinde
7. the long song
8. black suit
9. volcano
10. fort wayne

This Monkey's Come to Salem

Tuesday, April 28th, 2009

black

So I’m flipping through the online pages of the Statesman this morning–not generally something that gets my pulse racing — and I come across this story about a couple who is debuting a new band at the Space tomorrow night.

OMG it’s Frank Black of the Pixies!

OMG OMG OMG!

The new band is called Grand Duchy and it includes his adorable, ahem, Pixie-haired wife, mother of his children, on vocals.

Apparently Black met his future wife at a show in Eugene a couple of years ago while he was still touring as Frank Black and the Catholics. They started collaborating — on music, and then on the creation of three littlest fans who tour with them with the help of a “Rock Nanny.”

I have absolutely no idea why Black would be debuting his new band in Salem. The article doesn’t really answer that question… it is framed as a love story and a family yarn, and that’s fitting, considering the dominating meme in Salem.

But I do think we could come up with tons of reasons to choose the Space. It’s intimate, it’s a little rough around the edges, and it’s kind of an under-the-radar venue, making it a great space — har har — for experimentation and trying things out on crowds.

Congratulations, Salem, you finally found something to make me  skip watching LOST.

Shhh! Don't tell: The Thermals rocked Salem

Saturday, April 11th, 2009

200px-thethermalsnew_lineupThe collective energy of the Portland-based band The Thermals was greater than the sum of its three parts when they took the stage last night at Salem’s Grand Theatre.

And if you haven’t heard it yet, this is the real secret about the Cherry City Music Festival, which is happening right now, which has brought 140 bands to Salem this weekend:

The festival is one more sign to me of the power of comparative study.

It shows how good we have it.

Think about it. Doesn’t your life always seem a little awesome when you compare yourselves to others in the ways that matter?

When I was living in Munich, I would frequently see gigs like Pavement and Ani DiFranco in intimate venues — places that would have been sold out in minutes in the states.  I always knew how good I had it at those shows when I was standing about three feet from Ani’s frets and staring at her gnarly, righteous hands.

And The Thermals last night in Salem — they didn’t quite pack the place, but they gave off some inklings of what Oregonian writer Luciana Lopez talked about in the paper’s A & E section this weekend. She expects The Thermals to have a huge year.

One other sign:

My friend Insa, who is visiting from D.C. this Easter weekend, has tried three times to see The Thermals in our nation’s capital.

They always sell out their gigs at the Black Cat.

Lucky us.

We saw them last night in Salem, and had a parking spot right in front of the theater.

Chance Wiesner at the Space

Friday, April 10th, 2009

chance

He introduced himself to me at the Space on Broadway NE in Salem and I didn’t believe it was his real name.

“Chance,” he said, holding out his hand.

Yeah, right, I thought.

“Is that your real name?”

So he pulls out an Oregon Driver’s license in which he is staring at me, sans fu manchu, sans big bushy mop of hair, and it says it right there: Chance Wiesner, 25, of Silverton.

Chance doesn’t look like he’s 25.

He looks like Jim Croce and Gumby’s love child — tall and lanky and wearing bright red pants and a breezy white button down shirt. He is a complete throwback.

I didn’t chat long with Chance, because within minutes, he stopped dancing by the bar at Salem’s living room-styled indie music venue and had taken the stage with a guitar, a mike, and a PBR that someone had bought him so he would play.

Chance is a former singer of the now-defunct Salem band Nodding Tree Remedies.

When he began to sing, it was clear he sings because he absolutely has to sing. He writes and sings his own songs, such as a haunting, grab-your-throat piece about “working in the plastic factory.”

There were six people in the room.

I’ve heard Chance does this most Tuesdays.

I’m not sure what happened to his band — word is it ended bad — but I’m sorry I missed them while they were around. Chance says he has a new gig with a band called Lust Wagon, and I’ll keep my eyes open for them.

Until then, will someone please give this guy a paying gig? I’ve never sat so close to brilliant on a Tuesday night.

UPDATE: Chance is now fronting the Salem band Lust Wagon, which can find on MySpace.

Cherry City Music Festival opens with Mecca Normal and 112 others

Thursday, April 9th, 2009

meccanormal

I can think of no better band to be a part of the Cherry City Musical Festival than Mecca Normal — the Vancouver, BC – based folk rock duo whose voice is soft and mesmerizing like Salem’s cottony cherry trees but with a seering political edge worthy of Oregon’s state capitol.

Mecca Normal, which this year celebrates its 25th anniversary, takes the stage tonight at Willamette University’s Cone Chapel.

They are just one of 112 bands coming to town this weekend for the festival.

112!

At at On Friday at 1:00 pm, one half of the twosome,  Jean Smith, will present “How Art and Music Can Change the World”‘ at Willamette University’s Montag Den.

Smith, a brilliant indie promoter and book author, spoke with me  about how to animate a music scene ahead of the group’s big splash in Salem tonight.

DSS: What is the greatest challenge right now in creating  cultural revolution?

Jean Smith: Typically the voice of the activist — political and cultural — is a voice in opposition. How do we find a way to define and present ideas for progressive social change when we are essentially not in opposition? Why is the voice against easier to find? Someone said to me the other day that the vote for Obama was really a vote against Bush.

I think that creative partnerships are a viable way to remain inspired — there is be a built-in sense of accountability. Doing things differently is actually how change happens. Academic and author Howard Zinn has talked about this — how our individual actions multiply to create significant change.

DSS: The talk you will be giving at Willamette is called “How Art & Music Can Change the World.” That’s an important message in Salem, a town that some people joke “goes to bed early.” In your experience, how can music change the nature of a community.

Jean Smith: As Mecca Normal, on tour, we are in a position where we get to see a lot of community-based activity — DIY all-ages projects, bike repair in non-commercial spaces, art collectives.  All of  these entities play a role in the larger framework of change. There is a strong underground culture that flourishes in this complexity of connections.  People need to start a meaningful collaboration with the intention of maintaining it, pushing it and allowing it to inspire you.
DSS: Do you have any advice on how to kick-start a vibrant music scene that doesn’t have a huge audience yet (such as in Salem)?

Jean Smith: Since the current downturn in the economy, I have begun encouraging people to not succumb to fear which can lead to depression and a sort emotional of paralysis. Maintaining and inventing methods of being that include creativity, healthy living and community – as opposed to negative behaviors and isolation — are enactments of social change — rising to the challenge of surviving these times.

At this juncture — with recent optimism surrounding new leadership and chaos in the economy — there is a need for cultural and political activists to find new voices.

For a long time opposition has been our expression. Now, it seems like what arises from the decline of financial structures and lifestyles many thought of as stable, will be defined by complacency unless there is a sense that people want to re-structure rather than cobble back together the house of cards that capitalism proved to be.

As soon as the government used socialist methods to prop up capitalism, capitalism was over. What now? Capitalism is only a concept — one that didn’t work – based in everyone being entitled to take possession of goods and services and then refuse to pay for them. That’s called greed and f**king stupidity.

Capitalism is not intrinsically hinged to democracy. As a specie,s we will evolve beyond electoral politics and take more responsibility for our ways of being, encouraging creative communities and reciprocal relationships.


Blog migration by BlogTempo