Archive for the ‘Nightlife’ Category

Salem’s Thriller Re-enactment Stirs the Dead

October 24, 2009

Thriller1

Darkness falls across the land
The midnight hour is close at hand
Salem crawls in search of blood
To terrorize y’alls neighborhood.

The foulest stench is in the air
The funk of forty thousand years
And grizzly ghouls from every tomb
Are closing in to seal your doom.

And though you fight to stay alive
Your body starts to shiver
For no mere Salemite can resist
The evil of the thriller.

Ignore the obvious — that there was more life out there on the streets of Salem tonight than usual, and it was the life of the walking dead — and you have Salem’s contribution to the Thriller cultural behemoth.

The mass MJ meetup took place on Liberty and Chemeketa tonight at 5:30 prompt and lasted just about 11 minutes. I’m going to go ahead an nominate this one for best Salem family event of the year.

If you look closely, you might have even seen the spirit of MJ himself giving cred to the event.

LittleMJ

Banking on Art

July 7, 2009

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I almost didn’t make it to First Wednesday last week — Salem’s attempt to get people out in the streets and experiencing downtown. You see, I go downtown all the time. I shop there. I wander there. I look at things and I buy things. Regularly. So it takes something extra special to lure me away from my home on an evening when I am tired and cranky and just wanting to eat a big piece of pie and chalk life up to one more sacrificed to hard labor at my computer.

But I got an email from a little bird — let’s call her Rachel — telling me about an art exhibition going on at an otherwise empty historic bank right downtown, called Project Space. It is the Salem Art Association’s project to give temporary downtown space to visual artists before the building is leased, and it’s a knockout.

Art + downtown + repurposed historic building + just a modicum of nudging = Flaneur Emily, unexpectedly out-and-about with her obliging friend Karen.

Until now, I’ve been slightly underwhelmed by the visual art offerings here in town. I’ve frequented the Hallie Ford Art Museum and have stopped into Bush Barn Art Center, but nothing has really stoked my fires until I stepped into the bank. There, I found, among other delights, a papery explosion of texture and metaphor (see pic above) that extends the images of a record-keeping bank into the public space of those waiting in line to speak to a cashier — kind of a cheeky comment on a burgeoning paperless society (get your statements sent by email and save US money!).

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There was a roomful of works by Paula Portinga Booth, whose slightly jarring collages could be called whimsical if the images weren’t so completely incongruous.

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And I spoke with the artist Corinne Lumis Dietz, who told me a story about how her family used to gather at a lake in Michigan many decades ago. Years later they gathered there again and picked horsetails. Her father is holding them here. The painting is obviously from a photograph — but that’s part of the charm, isn’t it? The chance to view your father through the memory of a photograph and the memory of a memory itself?

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And just look at the view of the entire, messy exhibition from above. It’s what I imagined an office building would look like if fairies snuck in at night and told us what they think of our lives.

The artists get space for their projects for a three-week spread. You know what that means — more next month!

Thursday Comedy Night at Roxxy’s

June 26, 2009

Roxxy

While all of you were glued to your televisions watching bizarre “breaking news” leading with the header: Remembering Michael Jackson (memory and breaking news are mutually exclusive in my book), I was at Roxxy for the club’s Thursday night comedy event watching comedian Andre Paradise (above, moving so fast he’s just a blur) give a more fitting tribute to MJ.

He actually did a five-minute, Evolution-of-Dance-inspired Michael Jackson mini-dance marathon to Billie Jean, Pretty Young Thing, Bad, and Thriller. He also mentioned a new screenplay he wrote that is being produced: “Mormon Football.”

Man was pretty damn good — way better than watching the reels of news footage on CNN streaming at the bar.

Though Andre was just our well-fro-ed host, he was the highlight of an evening that, for $5, was the most impromptu fun I’ve had out in Salem.

It also attracted more black people than I’ve seen anywhere in this town — pretty thrilling in its own right for someone used to a more diverse city of folks.

You don’t go to the Roxxy for the food — as pretty much everyone and his retired uncle has suggested. According to the place’s one slutty librarian waitress, who took about 45 minutes to take our drink orders, the place is changing management and has lost some of the regular menu items it had as it restructures.

No matter.

The puffy doorman, a really swell blueberry of a guy in a fancy tan suit, promised to “talk things over” with me if I didn’t like the acts.

I did not ask for my money back.

Cariss, a heavy-set, lovably raunchy black woman comedian opened the night with some stories about hating bull and of her time swinging on the horses near the State pen.

She was followed by a potty-mouthed old dude–wish I had his name–who had more offensive old guy sexual jokes than I’ve heard in recent years. Three quarters through the set, he whipped off his toupee and used it as a prop. He also hit on the waitresses the entire time, with a comeback for all of their annoyed quips, and verbally assaulted a table of three people who made the unfortunate choice of sitting too close to the stage.

You’ve been warned. Go, but unless you’ve got thick skin, stick to the perimeter.

Norman stormin’ Venti’s on First Wednesday

June 4, 2009

Ventis

We were pretty lethargic last night until a rousing early summer storm cooled things off and gave us a new lease on Wednesday night. So with verve renewed, we headed downtown to see what this Salem First Wednesday is all about.

Now, in my experience, First [insert day here]’s can be a sign of a motivated scene that knows about mid-week, post-work impulses to get out and feel like your life is something else. Those are the best events. Or, sadly, they can seem like business-spurring chamber of commerce shots in the dark trying desperately (there’s that word again) to get people to enliven a dead-as-dirt downtown. Those events really suck.

I can safely say that my first-ever Salem’s First Wednesday didn’t suck.

We had a pretty great time checking out a Portland guy Eric Nordby who fronts a band called Norman and who has the more adorable free stickers I’ve seen.  We tend to like our indie/folk rockers a little more pared down and a little more raw, so I can’t say anything for the band he fronts, but we did like the talented Mr. Nordby all by himself, even if he did sing one song that sounded like Death Cab. Also: cutest band  T-shirts I’ve seen of late, including one that looks oddly reminiscent of my very first-ever drawing, circa 1982, of “People in Parachutes” (I was always a Doomsday Girl).

Venti’s just keeps getting better. In the few months that we’ve lived here, we’ve gone on and off Venti’s a couple of times. Four charred falafel balls will do that to you. But this romance is back on with a vengeance. Someone in the kitchen has been taking some plating cues from higher-end establishments because the stuff looks just about as sexy as a pile of hummus can look. It also takes a special kind of masochist to make crunchy hippie stir-fries look like little objets d’arte. But we clearly have some ambitions in the laid-back alternakids working in the back.

Later that night we walked through the closed up corridors of the Reed Opera House after hours. Creepy!  A Wednesday less ordinary indeed.

Won’t you be my neighbor

May 8, 2009

Pix

I’ve been thinking a lot about what needs to go into the new neighborhood — you know, the one in the Bermuda Triangle of burgeoning hipsterdom where the Salem Cinema has just lifted its curtain. I’ve had some down moments in Salem lately, days when I wondered how I was ever going to make a life here when we can’t even find a good restaurant open at 9:30 near downtown (apparently we’re turning Catalan).

So I’ve got a lot of hope for NoBro, or NoHo, or the Carpet District, or the Mission, or whatever you want to call it.

If you own property you know how important it is to have the “right” kind of neighbors. You want the lawn mowers, the flower planters, the doggie-do picker-upers, the silent meditators instead of the all-night rockers. Some might even go as far to say that in Salem, you don’t want the chicken-keepers. But above all you want that strange mix of characteristics that together form the “right” kind of people.

Yeah, I think that’s some pretty conservative, close-minded gibberish too.

But there’s some truth to it. Especially if you’re trying to launch a cultural movement to breathe life into a downtown neighborhood.

So I’m going to put this out there and hope that the links and the vibrations and the word gets out — if you are interested in opening an insanely sophisticated food shop in a setting that is a little industrial and raw around the edges, please consider bringing your craft product to Salem. Seriously, I should be sending invoices to the Chamber of Commerce.

And if you are Pix Patisserie (see pic above), consider yourself invited.

Salem Doesn’t Go to Bed Early.

May 1, 2009

seekingsalemWeeks ago I threated to stay out until 2:00 a.m. on a Tuesday night in Salem.

With the help of one Ryan Rogers, who introduced us to the Space (and the awesome Chance Wiesman), we did just that, flitting like demonic butterflies from one downtown venue to the next, always just barely making it out the door as they closed behind us.

The story of this much-recommended litmus test of Salem nightlife can be foud in the latest issue of Salem Monthly, which hit stands today. And if your SM stand hasn’t been replenished yet, let the publisher of the monthly know. In case you haven’t heard, it’s a small operation, and A.P. generally hand delivers the product.

Now, considering that I do my best writing in the morning, I can’t say these almost all-nighters are a gig that I can keep up indefinitely. I don’t generally advise cramming all of your fun into seven hours in the middle of the week.

But oh, what a night.

If you have any ideas on where the fun goes when everybody else goes to bed, please share them here. From my conversations with people these last two months, the interest is there, and the night owls do go somewhere (hey, owls are territorial, maybe that accounts for the secrecy…)

Desperately Seeking: New Name

May 1, 2009

broadway

Give a neighborhood a boost, give it a new name. It’s worked for SoHo, and the Pearl, so why not for Salem’s burgeoning neighborhood to the north? You know, the little area north of downtown that is now becoming the Bermuda triangle of hipsterdom?

1. Salem Cinema’s new digs
2. Boon’s Treasury, one of our two McMinnamin’s
3. The Space. Enough said.

I have no idea what this area is called among the people, other than “that area north of downtown,” so I propose the following. How about putting together some ideas for renaming this area into something that speaks of its coolness:

Here are a two ideas:

The Carpet District (isn’t there that carpet place right near here?)

NoBro (as in, Northeast Salem on Broadway)

Put your suggestions in the comments section and we’ll do a contest to select the winner. Or, as it actually works in the great marketplace ideas, perhaps people will just start calling it that.

Oh, and if you’re a trendy wine bar or soap shop or combination cheese store/yarn store, there is an open storefront across from the Salem that is for rent right now. Get in before you can’t afford the rent, yo.

Grand Duchy in Salem

April 30, 2009

grandduchy

Rule number one for going to the Space: Unless you’re Frank Black, do not wear black.

I know this is going to be hard for you. The prevailing fashion attitude in Salem is don’t wash, don’t bother, don’t care, and there’s nothing really wrong with that.

Until you’ve got a black light shining on your shoulders and you realize for the first time that it really does snow in Oregon — and that the snow sticks. I started wondering of Salem could get some stimulus money to buy some Head and Shoulders because there was an avalanche.

(Not that Salem has an out-of-the ordinary dandruff problem; that blacklight is just completely unforgiving).

Okay, now that that’s out of the way, I’ll just say it: If you didn’t get to the Grand Duchy show at the Space last night than you missed the face-rockingest, indie -hoppingest, most karmatastic show of spirit I’ve seen in this town.

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Imagine it: One hundred lucky folks crammed into a tiny little space because they grew up listening to Frank Black while he was part of the Pixies, because they can’t believe that they have a chance to see him in Salem for $5,  because this was Grand Duchy’s first show EVER, and it isn’t often that music history is made in Oregon’s state capital, because they are curious as to how time and marriage and kids have altered Black’s sound.

The answer? Not much. If you came to hear Black as you know him — and judging by the age differential in the group (I think I saw someone under 30 there, yeah, that guy’s 28. I think) many of us there did — then the show probably exceeded your expectations. He’s as Black Francis as he has ever been, and the addition of his new wife, Violet, who is kind of whiny in a contemplative, indie way, and kind of an angry space cadet on the stage, won’t distract you from a distinctly Frank Black project. In fact, they seem to work really naturally together, (no guitars thrown here).

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With his shades on all the time, Black doesn’t give much away about how he views the crowd, but he did tell a pretty great story about the time the producers of Spiderman 3 called Grand Duchy up and asked them to contribute a song to the film — within 12 hours. The result, which the band promptly belted out, was pretty commercial, big-budget movie-fare with a Blackish twist. I kind of love knowing it exists (it didn’t make it into the movie), and I actually liked it.

Oh, that movie sucked anyway.

It was a highly local crowd. Seriously, there was one guy from Portland who raised his hand and wooted when the opening band asked, surely thinking that his voiced would be drowned out by a sea of his city-men. Clearly, that wasn’t the case. I talked to him later and it became obvious that he got the hookup through local connections. But generally, I was left wondering, who are these people and where do they go the rest of the year?

In truth, this was one of the nicest crowds I’ve ever been a part of. The people all chatted with each other between sets, the big dudes moved  to the back, allowing the little girls room to see in the front, and if weren’t for that overweight woman dancin’ like nobody’s watching (or standing next to her, for that matter), I would have left there thinking that I had experienced a singularly perfect evening.

Then again, there was a moment when I was talking to my new friend Mikee when the lead singer of the opening band Le Nunes threw a CD out into the crowd and it hit me in the head (if you  want to catch the bridal bouquet, my advice is to try to ignore it!)

Well, thankfully, I’ve got a selective memory, and let me tell you, it was a perfect night.

Thanks to Nick Lopez for the photography, you can contact him at nicklopez1 [at] gmail.com.

Here’s the set list for the show:

1. come on over to my house
2. a strange day
3. lovesick
4. break the angels
5. seeing stars
6. ermesinde
7. the long song
8. black suit
9. volcano
10. fort wayne

Jammin’ in the corner with R.J.

April 9, 2009

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In a spare, second-floor room lit only by Christmas lights, in a building on Court Street in downtown Salem, the music begins.

It’s “You Light Up My Life,” a song I haven’t heard for about 17 years. It starts with a slow intro and then opens up into its glorious, and gloriously cheesy, refrain.

That’s when my husband really starts moving me around the floor in big, graceful swoops. That’s when my calves start to burn. That’s when he looks at my face and we break out laughing, but never lose a step.

Did you know that song was a waltz?

“You Light Up My Life” is the last song R.J. put on for us last Tuesday, just one of the nights we’ve headed down to the dance studio for its open dance night.

There are usually about 4-7 couples at open dance night, but always, there is R.J., the studio’s owner, a former ballroom dancer who has owned this dance studio in Salem since 1984 and who has had one of these events every week for the past 25 years (he generally closes for holidays).

R.J. doesn’t dance too much anymore. But he’s always over there by the stereo, surrounded by about 400 CD’s, boppin’ to the music and, occasionally, when they really need it, showing people the basic steps to waltz, fox trot, rumba, disco, swing and tango.

If you ever get a chance to see R.J.’s wife, who teaches at the studio, you might get one reason that this man is going strong well into retirement.

(She’s a knockout).

But I imagine his longevity has something to thank of the music, the dance itself, the chance to live standing up.